Venue Details

Yerba Buena Center for the Arts Theater
700 Howard St. San Francisco, CA 94103
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4.4 / 5 Rated by 17 members
Review from Carol Gadas
Red Velvet 32 events 7 reviews

Music was delightful, singers very good, costumes quite elaborate....just a wonderful way to spend a couple of hours.

reviewed Jan 21 2012 report as inappropriate
Review from Marion Hazzard
52 events 40 reviews

It was a lovely show but I must say that I had a problem with the seating as there was no handrail. I noticed other senior citizens were having similar troubles!

reviewed Jan 21 2012 report as inappropriate
Review from SF theatergoer
71 events 39 reviews

The Gondoliers is a farce. A farce should be consistently funnier than this show was. Although there were some laughs and some good lines, often there were too-long stretches of time between laughs. The Gondoliers was disappointing. The music was...continued

reviewed Jan 21 2012 report as inappropriate
View All 10 Reviews
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Greet the two kings, who, because of mistaken identity, have acquired three would-be queens! The sparkling, emerald Adriatic Sea… the sun-dappled, lazy waters of the Grand Canal… singing Gondoliers and Contadine… and the “Cachucha” danced at the Royal Court at Barataria make The Gondoliers a heartwarming Venetian valentine, wrapped in Sullivan’s most beautiful music and tied with one of Gilbert’s most fanciful libretti.

While most Gilbert & Sullivan operettas are strictly set within the confines of the composer’s home country of England, _The Gondoliers _score was widely influenced by a visit Sullivan made to Italy in 1888. Italian folk dances such as the tarantella and saltarello jostle with other vivacious national dances such as the cachucha (a fast gypsy dance from Spain) and operatic influences including Bellini, Bizet, Handel and Mozart. The entire score is sung in English.

The Gondoliers involves a pair of handsome Venetian gondola oarsmen and a mix up of identities at birth. Along the way to resolving the confusion, Gilbert skewers issues of social equality and the class system with his usual brilliant wit and groundbreaking lyrics. When The Gondoliers premiered in London in 1889, it was given the highest critical acclaim from local media and from England’s Queen Victoria herself, who was so moved that she wrote extensively in her personal diary of the show’s inescapable charm. One journalist reviewing the production wrote, plainly, “It is not opera or play. It is simply entertainment – the most exquisite entertainment we have ever seen.”

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