Venue Details

City Garage at Bergamot Station Arts Center
2525 Michigan Ave. Santa Monica, CA 90404
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Rated by 8 members
Review from Gold
39 events 8 reviews

Highly recommended! Superb acting, beautiful miss en scėne, and remarkable translation/adaptation of the original text!??

reviewed Feb 24 2018 report as inappropriate
Christopher Pida
Review from Christopher Pida
1 event 1 review

Charming and cozy theatre. Plenty of parking. Staff are helpful and friendly. Excellent direction and production. Actors are talented, enthused, and well-rehearsed. Important, timely comedy. Very enjoyable night. I will be returning to watch the...continued

reviewed Feb 23 2018 report as inappropriate
More Information

Event Website

Quotes & Highlights

  • “Director Frederique Michel relies on an elegant new translation she’s written in collaboration with producer and designer Charles Duncombe, with a staging that emphasizes the artificiality of Moliere’s comedy with balletic, stylized movement. The result is crowd-pleasing and consistently funny. As Arnolphe, Roberts captures the quintessence of male arrogance, egotism and insensitivity, which makes his growing desperation hilarious and leaves us longing to see him get his comeuppance. Pida brings the asset of real youth (she’s a high school senior) to the ingénue role of Agnes….Jaime Arze and David E. Frank score as a pair of dimwitted servants, and Troy Dunn is smoothly insinuating as Arnolphe’s friend, Chrysalde. The handsome set departs from the play’s 17th century time period; Duncombe chooses instead to set the action in “a time when such things happen,” using a modernistic flavor. Josephine Poinset provides the clever and stylish costumes.” — Stage Raw
  • “This comedy, considered by many to be Molire’s greatest, concerns a controlling guardian who has carefully cloistered his decades-younger ward in the hope of transforming her into the “perfect” (and perfectly ignorant) wife who will never stray. Controversial in its day, the premise seems abhorrently timely now. Dedicated avant-gardists Frédérique Michel and Charles Duncombe have devoted their theatrical careers to defiantly alternative theater. Their well-regarded translation of “Wives,” first produced at their theater in 2009, brings an invigoratingly revisionist perspective to Moliére’s classic.” — Los Angeles Times

“Delightful…almost dance-like…the humor is nonstop…Roberts’s performance touches our hearts.” David MacDowell Blue, Night Tinted Glasses


March 9: Champagne Friday
Complimentary champagne for all attendees.

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