A Night of Gil Scott-Heron Covers from Meshell Ndegeocello at The Triple Door
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The last date listed for A Night of Gil Scott-Heron Covers was Tuesday June 29, 2010 / 7:30pm (Doors at 5:30pm).
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Thirty-five years to the day of John Lennon's passing, his music and magic return to the stage at… More
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Visit Meshell Ndegeocello’s website.* *
Meshell is a 10 time GRAMMY Nominee; she performed at the GRAMMY Awards broadcast from Madison Square Garden in 1997.
A bass player above all else, Meshell brings her signature warm, fat, and melodic groove to everything she does. Canonized, marginalized or just scrutinized, she has given up trying to explain herself. After 20+ years in an industry that has called her everything from avant garde to a dying breed, what unquestionably remains is the fearsome bassist, prolific songwriter and the creativity and curiosity of an authentic musical force. With that, she has earned critical acclaim, the unfailing respect of fellow players, songwriters and composers, and the dedication of her diverse, unclassifiable fans.
Meshell has played on albums by The Rolling Stones, John Mellencamp, Madonna, Santana, The Blind Boys of Alabama, Guru’s Jazzmatazz, Chaka Khan, Indigo Girls, Ledisi, Alanis Morissette, Joan Osborne, Basement Jaxx, Soulive, Gilles Peterson, Joshua Redman Elastic Band and Karl Denson’s Tiny Universe among many others.
Meshell’s music has been featured on film soundtracks including Batman & Robin, Love Jones, Money Talks, Down in the Delta, How Stella Got Her Groove Back, The Hurricane, Love & Basketball, Standing in the Shadows of Motown, Talk to Me and Soul Men among others. She’s supported The Who’s Quadrophenia shows at Madison Square Garden, as well as supporting tours with both Sting and Dave Matthews Band.
Meshell was the first woman to be featured on the cover of Bass Player magazine (Nov. 2007).
Gil Scott-Heron (born April 1, 1949) is an American poet, musician, and author known primarily for his late 1960s and early 1970s work as a spoken word soul performer and his collaborative work with musician Brian Jackson. His collaborative efforts with Jackson featured a musical fusion of jazz, blues and soul music, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. The music of these albums, most notably Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul. Scott-Heron’s recording work is often associated with black militant activism and has received much critical acclaim for one of his most well-known compositions “The Revolution Will Not Be Televised”. On his influence, Allmusic wrote “Scott-Heron’s unique proto-rap style influenced a generation of hip-hop artists”.