Contemporary Folk Artists Laura Love and Bitch Appear Live at The Triple Door
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The last date listed for Alternative Folk Musicians Laura Love and Bitch was Sunday March 27, 2011 / 7:30pm.
Currently at The Triple Door
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- $25.00 - $40.00
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- $12.50 - $20.00
Experience an evening that's the best mix of historic and modern. At The Triple Door in Seattle… More
Reviews & Ratings
Featured review from Goldstar Member
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I have seen Laura Love perform twice before in the past couple of years and she is always great—but the energy and talent she brought to this show was exceptional. The finale where she brought Seattle favorite Lisa Koch and Bitch (her opener) on stage was the best.
I had not been familiar with Bitch before this show, but found her incredibly talented and entertaining.
I highly recommend this show to anyone who likes folk/bluegrass and/or feminist music.
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Was great to see Laura Love again. Her energy, talent and charm hasn't changed over all the years she's been performing in the NW; it only gets better, if that's possible! Her break dancing (am I saying it right???) was icing on the cake. Loved...continued
Quotes & Highlights
“Laura Love will shake the world. The clincher is her live show … She’s that rare artist who can slip from sensitive folk to hip-hop without skipping a beat.” —Utne Reader
Learn more about the artists at their websites: Laura Love , and Bitch.
The media and even her own record label have struggled to define this inimitable musician’s colorful style, which embraces bits of the blues, bluegrass, jazz, folk, gospel, reggae, and country. However, Laura Love has sometimes called her music “Folk-Funk,” “AfroCeltic,” or “Hip-alachian.” Regardless of how she is described, Laura has an indisputable and uncanny knack for enthralling audiences from all walks of life, from octogenarians who line up to hear straight-ahead bluegrass to the pierced-and-tattooed set to middle-aged parents.
Bitch’s musical journey has taken her from classical-violin training in the suburbs to experimental flicks in NYC. After leaving the outskirts of Detroit for the artier charms of Chicago—Bitch’s unconventional and outspoken approach to performance caught the attention of a number of indie luminaries. She took fiddling lessons with Andrew Bird, serendipitously stumbled upon future co-conspirator, Animal at acting school, moved to New York to make their own ‘theater’ (Bitch and Animal) and recorded and toured with Ani DiFranco (who released Bitch and Animal’s records on Righteous Babe). This association yielded an international following, introducing the world to Bitch’s left-of-center and controversial brand of performance.