Ballet Hispanico in New Works by Latino Choreographers
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The last date listed for Ballet Hispanico was Friday December 6, 2013 / 8:00pm.
Currently at The Kennedy Center - Eisenhower Theater
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Victor Gama doesn't just create music, he creates the very instruments themselves, many of which do… More
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December 5, 2013 at 8:00pm: The show includes a free post-performance discussion with a moderator and members of the company.
Eduardo Vilaro, Artistic Director
Tina Ramirez, Founder
_Jardí Tancat _— Choreography by Nacho Duato
_Sortijas (Rings) _— Choreography by Cayetano Soto
Sombrerísimo — Choreography by Annabelle Lopez Ochoa
Danzón — Choreography by Eduardo Vilaro, Live Music by Paquito D’rivera
New York–based Ballet Hispanico explores, preserves, and celebrates Latino cultures through dance. Last seen in the Kennedy Center’s Concert Hall in 2007, Ballet Hispanico is now under the guiding hand of Cuban American dancer and choreographer Eduardo Vilaro. A former Ballet Hispanico dancer, Vilaro was named Artistic Director in 2009 after a successful 10-year term as Founder and Artistic Director of Luna Negra Dance Theater in Chicago.
For its Kennedy Center mixed repertory program, the company brings Spanish choreographer Nacho Duato’s Jardí Tancat_, the D.C. premiere of Spanish choreographer Cayetano Soto’s Sortijas (Rings)_, Annabelle Lopez Ochoa’s new work Sombrerísimo, and Eduardo Vilaro’s_ Danzón_ with live music by Paquito D’Rivera.
Duato’s very first work,_ Jardí Tancat_ is based on Catalonian folk tales sung by Maria del Mar Bonet. With equal shades of passion and melancholy, the ballet evokes the despairing yet hopeful prayers of Spaniards who wait for rain on their barren land.
Soto’s Sortijas is an exciting duet that celebrates Latino tradition by representing the circular ties of family and friends that link communities together over generations. The piece is set to music by American-born singer and songwriter Lhasa de Sela.
In Sombrerísimo_, an athletic tour de force for six men full of rhythmic agility and stylistic flair, “Lopez Ochoa disassembles and reassembles the coded rituals and rhythms until they spark insight and laughter” (_Financial Times).
Initially evolved from Haitian contradance, the Danzón has been called the official dance of Cuba. Eduardo Vilaro has taken this traditional and quintessentially Cuban dance form and reinvented it with contemporary language to construct a joyous celebration of music and movement.