Fiddler on the Roof: Beloved Broadway Musical
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The last date listed for Fiddler on the Roof was Wednesday December 31, 2014 / Noon.
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- Full Price:
- $79.00 - $159.00
- Our Price:
- $45.00 - $85.00
Everyone knows the heartbreaking story of Shakespeare's most famous tragedy Romeo and Juliet -- but… More
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Jonathan Hadary (Tevye) is a New Yorker with many Washington credits, among them The Little Foxes at the Shakespeare Theatre Company, The Matchmaker at Ford’s Theatre and Wenceslas Square, Gypsy and Angels in America (Helen Hayes Award – Roy Cohn) at The Kennedy Center. Broadway credits include Awake and Sing!, Golden Boy, Spamalot, All Shook Up, Gypsy (1990 Tony nomination), As Is (Obie Award, ACE nomination) and Albert Innaurato’s Gemini. His off-Broadway credits include last summer’s Comedy of Errors at the Delacorte, The Destiny of Me, Assassins, Weird Romance and God Bless You, Mr. Rosewater. On-screen credits include Kenneth Lonergan’s Margaret, the Coen brothers’ Intolerable Cruelty, A Time to Kill, Private Parts and Adult Swim’s The Heart, She Holler. He’s a graduate of the Walter Johnson High School in Bethesda and a co-founder of the area’s student-run Wildwood Summer Theatre, now in its 50th season. Jonathan used to usher at Arena Stage.
Ann Arvia (Golde) is honored to be making her Arena Stage debut in the same show that began her career. Washington audiences also saw her at the National Theater in Les Misérables. On Broadway, she played the iconic Bird Woman in Mary Poppins, Madame Thenardier in Les Misérables and appeared in Beauty and the Beast. Off-Broadway saw her as Mrs. Carmody in the New York premiere of Time and Again at MTC. Ann also toured extensively in both Les Misérables and Ragtime. She most recently played the historic Goodspeed Opera House as Meg in Damn Yankees and Marie in The Most Happy Fella and has appeared across the country in roles from Rose (Gypsy) to the Mother Abbess (The Sound of Music).
About the Ticket Supplier: Arena Stage
Arena Stage today stands as a flagship American theater. Arena Stage was one of the first not-for-profit theaters in the United States, as well as a pioneer of the regional theater movement. It was the first regional theater to transfer a production to Broadway, the first invited by the U.S. State Department to tour behind the Iron Curtain, and the first to receive a Tony Award. Taking a leadership role in extending theater’s horizons, Arena Stage has implemented groundbreaking policies and programs, promoting diversity in all aspects of theater, from theatergoing to production.
The Arena Stage legacy of world-class productions includes vast epics, charged dramas, rousing musicals, and probing profiles. From the monumental to the developmental, Arena Stage has helped build the canon of American theater. While they produce American classics, Arena Stage premieres new American plays and supported works in progress. They’ve nurtured artistic growth and engaged the community, broadening and intensifying the theatrical experience for one and all. And yet, in spite of it all, in their second half-century they see themselves as more fresh, restless and dynamic than ever.